Showing posts with label Cidinho e Doca. Show all posts
Showing posts with label Cidinho e Doca. Show all posts

Tuesday, 12 April 2011

Cidinho e Doca - Rap Das Armas

A tropical take on the politics of violence: this is gorgeous. It's got Brazil's veteran MCs Cidinho e Doca going to work on a baile funk tune, with incredible results.

The song's about the Morro do Dende favela, which is dominated by drug trafficking and in which the only police presence is heavily-armed incursions to arrest dealers (often with significant civilian casualties). Their chorus is "Mais Morro Do Dendê também é terra de Deus" - "But Morro Do Dende is also God's earth"

Humanitarianism and babes in bikinis - what's not to like? Also, the tune is phenomenal. I am going to be playing this until my neighbours start joining in with the chorus



Incidentally, it was these guys who made funk carioca mainstream in 1994, with this

Saturday, 26 March 2011

Cidinho e Doca - Rap Da Felicidade

I don't even know where to start writing about this one. It's a Brazilian anthem, and the first funk carioca song to hit the charts there when it came out in 1994. Cidinho e Doca are often described as proibidão rappers - MCs who narrate the doings of the underworld (somewhat like the Mexican narcocorridos). But this track is pure sunshine: that minor-key chant is all about wanting peace and respect for the favelas:

Eu só quero é ser feliz
Andar tranqüilamente
Na favela onde eu nasci
É...
E poder me orgulhar
E ter a consciência que o pobre tem o seu lugar
Fé em Deus

All I want is to be happy
Walk quietly
In the favela where I was born
Yes...
And I could be proud
and know that there is a place for the poor
Have faith in God

I read a phenomenal article about funk carioca and attitudes to social inequality and abject poverty.

Going back to the music: this has that danceable rhythm that makes funk so popular across Brazil, and an instantly-familiar tune. And those voices are incredible: Brazilian Portuguese is such a beautiful language with all those "eesh" and "adje" sounds. The lyrics are brutal: 17 years on I think they'd still resonate with the part of the population left out of Brazil's economic expansion.